Central Asia – The Book-Butterfly

Hamid Ismailov

“We are a nomadic people. Today we pitch our yurts on one mountain pasture, tomorrow on another. Some people see their sense, their history, their fellow men as urban, and preserve all this in schools and madrasas, books and manuals. But we get on our horses and carry everything on our persons, and we have to keep it like this, on the move, in our minds and hearts.” — Hamid Ismailov, Manaschi

Sometime in between the first and the second volume of this Central Asian triptych, I travelled to Uzbekistan where Ismailov’s books cannot set foot because they are banned, and had a glimpse of the place that wrote the author.

Devil’s Dance is an intense initiation to Uzbek Literature. Of Strangers and Bees playfully meanders across the boundaries of time, literature, and geography. Manaschi is a geopolitically relevant finale that equals the force of Devil’s Dance.

But whether one speaks of the persecution of Uzbek writers throughout different regimes and implies that the writing process is akin to a dance with jinns;

the other of exile, elusive homelands, the value of community, man’s capacity for good and evil, or the search for truth and self through wanderers and bees;

and another of the trouble with imposed artificial borders, ethnic conflicts, the complexity of identity, or mystical bardic traditions;

all three uniquely celebrate the rich storytelling heritage of Central Asia — a heritage so crucial that a protagonist from the second volume boldly claims it to have shaped the shorelines of the great ocean that is Russian literature.

I love how this trilogy is a confluence of literary traditions rather than a defiance of the Western form. It manifests the power of stories, written, uttered, or observed; the power of stories when lived, as we become our stories and our stories become us; and the power of stories to take us beyond pathways of silk, even to places where only the rustle of words can go.

“It was a good thing the world had Uzbek literature.” — Hamid Ismailov, Of Strangers and Bees

June 19, 2022 – Samarkand: Shah-i-Zinda

Afternoon light enters silently through the gaps of Shah-i-Zinda in Samarkand and transforms the whole necropolis into a prismatic vision that makes one understand why this place has earned illustrious names throughout the ages, and why it is most widely known as “The Mirror of the World”.

But as I sat there mesmerized, I became more inclined to believe that it mirrored constellations and galaxies… and that so much of what we find beautiful are mirrors of our joys, sorrows, and the distinct libraries of music and thoughts stored in our beings.

It probably was not the first time that a girl stood under its hypnotic gaze and made her contemplate on beauty and celestial realms; and I’d like to think that those reflective beings who came before me must have also gravitated towards its lesser-known epithet — “Garden of the Soul.”

© 2022 MDR
Shah-i-Zinda, Samarkand, Uzbekistan

June 25, 2022 – Uzbekistan Beyond Book Pages

My last few days in Uzbekistan were supposed to be spent in Termez, a place bordering Afghanistan where Alexander (considered not so great in these parts of the world) founded a town. But after learning about the tragic earthquake in Afghanistan, and for the peace of mind of those I love (not that I’ve given them so much of that), I decided to be practical (yes, I can be, sometimes) and come back to Tashkent to be closer to the airport. Termez will have to wait; and perhaps, it is a romantic idea to leave something to come back for.

It is risky to travel these days, and it is crazy how the fate of some dreams and travel plans hang in the balance between two words — Positive or Negative. And when I asked my niece who works in a bank to change some currency for me, she reported that the bank declined upon learning of my destination, “Kay duol sa na-ay gyera.” (It is close to areas of conflict.) She had to go out of her way to another money changer. If one looks at the map, the bank is not wrong.

But here I am. Because when something feels right, it feels right. I booked my ticket with so much faith, and the itinerary that has been ready since 2020 finally came in useful.

“But I thought you wanted to go to Iran?” friends asked. I am in what used to be part of Persia. “Stan” is a Persian suffix that means “place of”. This is the place of the Uzbeks that was once of Persia. When the Achaemenids expanded their empire, they sought not to Persianize whomsoever they conquered but allowed different peoples and cultures to thrive — as long as they paid tribute, of course. And since we know borders are all but manmade, I am in the region of which I have been reading and dreaming for a long time… and it is intoxicating, and beautiful, and enriching.

The books I have been reading did not end on their last pages. The best books never do. They only give the reader a deeper yearning to continue the journey and the learning beyond the pages. They give one an urgency to live.

June 23, 2022 – Khiva, Uzbekistan

In the alley right below, a child sings in a language both strange and familiar to me. Strange because she sings in the Khorezmcha dialect, familiar because it is music.

A few meters away from her, women in traditional dress eclipse the child’s voice as they bargain with her mother, a scarf seller. These women are tourists from the other “Stan” nations. They flock the streets by sundown. (Western tourists tend to forego Khiva because it is out of the way. To get here from Bukhara, one has to drive for hours through an expanse of steppeland that seems to stretch to infinity, and the usual tourist would usually opt for another stamp on the passport from another Stan than come to Khiva. I am now closer to Turkmenistan than I am to Bukhara.)

But I also see Khiva changing right before my eyes. I see workers installing LED lights, replacing some crumbling bricks, and fixing the cracks of the old city, making it look new. And although they have the tourist’s best interest in mind, I feel a pinch in my heart. I know Khiva will not look the same in a few months, or weeks… and there is a bittersweetness in realizing that I came just in time — or perhaps, a few centuries late.

In the distance, the tallest minaret in Central Asia calls my attention, calls to prayer, calls time to stand still, and all falls silent.

Does this balcony right outside my bedroom explain enough why I chose to stay in Khiva longer?

June 22, 2022 – Summer Solstice in Khiva

Resplendent, the summer solstice sunset gilds the citadel of Khiva.

Khiva, the former capital of Khwarazm.

Khwarazm, the region that gave us polymath Muhammad Ibn Musa al-Khwarizmi (780-850), who wrote the book Al-Jabr. From his name we have the word “algorithm,” and from Al-Jabr “algebra”.

The sun blazes differently here. And for knowledge, their wise men, too, seemed to burn so intensely.

June 21, 2022 – The Colors of Bukhara

The temperature is significantly higher in Bukhara that you can feel your skin baked into the color of a lepyoshka as soon as you step out of the caravanserai. Yes, I am staying in a caravanserai! Isn’t that the most natural thing to do when traversing desert cities?

In contrast to Samarkand that can only be depicted in golden blues and vibrant shades of dreams, Bukhara wears the colors of the desert.

But that’s not to say that this important stop on the Silk Route is monochromatic. For as we know, the desert yields surprises; and thousands of years of history have stamped their mark and bled their hues on this oasis city.

I made two friends today who know their history! One endearingly encouraged me to look it up on my phone because he says it’s all there, and the other is an imam who saw me taking pictures of the architecture while trying my best to be unobtrusive at a site sacred to Muslims. He must have appreciated this because he beckoned to me and invited me to take closer pictures of the mosque and its interior, and afterwards, for tea. It was the best tea I’ve had on this trip!

June 19, 2022 – Samarkand Mornings and Minarets

Yes, I climbed up one of those!
© 2022 MDR Samarkand, Uzbekistan

“A city so deeply imbued with poetry that even the doctors wrote their medical treatises in verse.” This line by Elif Batuman, who wrote briefly about the height of the Timurid Renaissance, came back to me so clearly as I took my last look at Samarkand.

I can only commit these soft mornings in Samarkand to memory, as another gem in the Silk Route beckons…

June 18, 2022 – Samarkand, Uzbekistan: Ulugh Beg

© 2022 MDR
Ulugh Beg Madrasa, Registan, Samarkand

It seemed to have been written in the stars that the first place I would be drawn to in Samarkand is the remnant of an observatory that was the most well-known throughout the Islamic Golden Age and the largest in Central Asia, preceding Tycho Brahe’s Uraniborg and Taqi al-Din’s observatory in Constantinople by more than a hundred years.

The great mathematician and astronomer behind this observatory, whose computation of the length of the sidereal year was more accurate than that of Copernicus’s, is Ulugh Beg.

Although what remains of the observatory is the arc of a gigantic sextant (used to measure the transit altitudes of the stars and to produce the most comprehensive star catalogue in the period between Ptolemy and Tycho Brahe); the splendid madrasa that he built right at the heart of the city still stands.

He turned Samarkand into an intellectual center, inviting mathematicians and astronomers to study there — but no longer by force. He was, after all, a sultan of the Timurid Empire, the grandson of Tamerlane, and his tomb lies at the foot of his grandfather’s in the Amir Timur Mausoleum.

…to trace the constellations of Samarkand’s history and look at the stars that have burned the brightest… and bask in their afterglow… what a dream.

© 2022 MDR
Ulugh Beg Conservatory, Samarkand

June 17, 2022 – Samarkand, Uzbekistan: Tamerlane

When Soviet archaeologists exhumed this tomb in 1941, they allegedly found this inscription inside: “When I rise from the dead, the world shall tremble. Whoever opens my tomb shall unleash an invader more terrible than I.”

In a matter of hours, Hitler’s men invaded Russia resulting in millions of deaths. Stalin ordered the remains to be reinterred in 1942, and soon after, the Germans surrendered at Stalingrad. Coincidence or not, it is a remarkable story.

Two years ago, I listened to a series of podcasts about this man for whom this mausoleum was built. I found him frightening and intriguing! There aren’t enough books written about him, and eurocentric history merely dedicates one or two measly paragraphs to him!

This man, known in the West as Tamerlane, is Amir Timur, “iron” in their language. It was he who freed his people from the yoke of the Mongols and proceeded to establish the Timurid Empire in 1370 and conquered lands spanning parts of Russia, and north western India to Syria.

During his reign, he and his armies decimated 5 percent of the world’s population! On his Persian conquest, they massacred and constructed towers out of the bodies. He was as brutal as the Mongol Khans, but unlike them, he spared the intellectuals, the architects, the writers, the rug makers, the craftsmen, the artistic and the educated, and brought them to Samarkand. And thus began the flourishing of Timurid arts and architecture, well exhibited in this very mausoleum up to this day.

Where I am staying in Samarkand is a wall away from this mausoleum.

The moon was still up when I walked over this morning and the muezzin’s call to prayer accompanied my quiet footfalls.

I sat on the steps with a book thinking it would still be off limits at such an early hour, but the caretaker noticed me and offered to let me in and left me on my own!

Heart pounding and knees slightly trembling, I entered and thought I heard throat singing along with the muezzin’s call…

© 2022 MDR
Amir Timur Mausoleum, Samarkand

June 16, 2022 – Samarkand, Uzbekistan

What is it about the rhythmic and harmonic counterpoints between a lone stringed instrument, a drum, and throat singing that fire up the blood and make you want to conquer the world? This must have been the music that ran through the veins of the formidable khans and Tamerlane. As if my heart was not already drumming wildly, the perfect soundtrack for how I felt greeted me through the train speakers — music so visceral, so empowering and liberating.

It was a day that started with a huge bowl of yogurt and honey, crisped walnuts that I did not expect to be so flavorful, plump dried apricots, raisins that had retained their blue, all these topped with crumbled cottage cheese; and a cup of coffee to further fuel an excitement that I had not felt in a long time.

I left for the train station amidst a glorious Tashkent sunrise while half of me was still in disbelief that I was finally going to a land that had achieved mythical status in my mind, a land I thought I would only be able to visit through books.

But today I walked into a poem. I found myself welcomed to a courtyard with a garden framed in abundant grapevines. My wonder must have been apparent that the owner of the guest house started pointing at each fruit-bearing tree and incanted, “Fig, apricot, orange, apple, quince, plum, persimmon, pear, peach, walnut, cherry, mulberry…”

“Mulberry? What the silkworms eat?” I asked.

“Yes.” She rummaged through the renowned leaves of silk history and held out gems of a deep magenta towards me.

As the mulberries burst into color and flavor in my mouth, I realized how perfectly symbolic this initiation was to a place that was once known to the Greeks as Maracanda — metropolis of the Sogdians, the wealthiest and most successful merchants of the silk roads.

What a most beautiful thing to finally be able to write in my journal, that today I arrived in Samarkand, the heart of the Silk Route.