
“Does one truly forget with time, as they say? It’s not true. Time polishes memory…”
For an era and a place teeming with history, there isn’t enough literary fiction set in Al-Andalus.
Prior to Hoopoe Fiction’s republication of Radwa Ashour’s Granada: The Complete Trilogy, I had only read Tariq Ali’s Shadows of the Pomegranate Tree, and I remember being immensely affected by it but finding it too short.
Ashour’s trilogy, now available in a single volume, answers that yearning and enables readers to linger a little bit longer, with its 465 pages, in the tragic century following the defeat of the last Muslim state in Iberia; the fall of Granada that extinguished seven hundred years of Muslim rule in Spain.
The story traces five generations of one family and those they loved while giving the reader a glimpse of how an entire people navigated betrayal, subjugation, persecution, and the undoing of their culture and traditions. Abu Jaafar, the patriarch, a learned man in the bookbinding trade who dies of sorrow after witnessing the burnings of Arabic books and texts at the behest of the Spanish Inquisition, and Salima, the granddaughter who reminds me of Hypatia, are some of this novel’s most enduring characters.
Some plot lines are slightly itinerant, and this reader wonders whether what seems like inadequacies are merely little black holes of translation. Reading this is rewarding, nonetheless, and it is a step closer to that ultimate novel set in Al-Andalus that I hope to read in this lifetime. Although heartbreaking, this book contains lovely imagery and questions that cling and will not easily let go — just like the question of why these historical episodes from the 1500s feel awfully recent and familiar.
But we need books like this to polish our memory of history and to make our worldview flourish. As Marina Warner points out in the foreword, “In Arabic, the root of the verb for watering, rawa, happens to be the same for storytelling: a storyteller is a rawi. As the comparative literature scholar and Arabist Philip Kennedy comments, ‘Rawwii is well-watered; there are lots of versions of the root, including riwaaya which now means a story (or novel).’ Narration is irrigation, irrigation is narration.”
What a lovely thought, that to be well-watered and nourished is to be well-read, or well-storied.



























































