When your desire to forget certain things mingles with a character’s desire to remember, and the words from the book and those unsaid in your heart cross paths, the sensation stays with you, the way your first sip of raki does — like drinking smooth, liquid embers as your insides become drenched with that distinctive Turkish melancholy.
One ends tragically, the other ambiguously, but the influential power of Istanbul that takes hold of writers is exquisitely manifested in this pair. Despite Istanbul being a bazaar of a thousand and one stories, Burhan Sönmez has his own approach to storytelling and his own approach to this alluring, Janus-faced city that readers who are just as enamored with it as I am will hold in esteem. As a certain character says, “Just as you can’t bathe in the same river twice, neither can you tell the same story twice in Istanbul.”
The interesting thing you’ll discover about these two books is that, despite being two entirely different novels by the same author, their titles are interchangeable. Both are about labyrinths, and both are about Istanbul; both can either be about the labyrinths of the mind and memory or the labyrinths of the city; and I find both to be best read successively.
The past — or the land of our birth — can be a burden from which we sometimes wish to be free, but who are we without it?