
we didn’t know yet that style could be purchased wholesale, that beauty could just be a commodity.”
Venice, through the pen of a mediocre writer, can easily become cliché.
But this is Joseph Brodsky.
If you, like me, have read Lawrence Durrell’s Prospero’s Cell and thought it was alone in its indefinable sub-genre or sur-genre (if there’s such a thing), we can rejoice! Venezia’s Watermark is the worthy soulmate of Corfu’s Prospero’s Cell.
Meditative with a sensual rhythm but not without intelligent humor, here is travel literature that casts an enchanting haze on the borders between poetry and prose, a place and the self.
I would slip this in my handbag in a heartbeat on a return trip to the best city to get lost in.