Ahdaf Soueif: The Map of Love

This is a story about Egypt. The Egypt that seldom comes to mind when we think of Egypt. The awkward Egypt that won a nominal independence from a fading Ottoman Empire and finds itself ruled by the British. The Egypt in the 1900s and, a hundred years later, the Egypt on the cusp of the Millennium.

This is a scathing commentary about the relationship of East and West where the West is accused of holding one system of values dear to themselves while denying it to their fellows in the East; of foreign intervention; of emasculated natives accused in turn of being unfit to rule themselves; of world powers playing nations and people like chess pieces and waging dishonest wars.

This is about three intelligent women across time, the family that connects them, the men they love, and how they love differently. This is a story written with, and about, beautiful words: “‘Hubb’ is love,
‘ishq’ is love that entwines two people together,
‘shaghaf’ is love that nests in the chambers of the heart,
‘hayam’ is love that wanders the earth,
‘teeh’ is love in which you lose yourself,
‘walah’ is love that carries sorrow within it,
‘sababah’ is love that exudes from your pores,
‘hawa’ is love that shares its name with ‘air’ and with ‘falling’,
‘gharam’ is love that is willing to pay the price.”

But categorizing this as a romance novel would be to miss the point. This is very much a political novel, and Ahdaf Soueif is a gift to those who recognize the power of fiction to embody the intricacies of politics, history, and ethics as painstakingly as a work of nonfiction. Then again, love is a political act. Maybe we can call it a love story, too.

Naguib Mahfouz: The Day the Leader Was Killed

When Naguib Mahfouz wrote this, he had not been awarded the Nobel yet, but his Adrift on the Nile had already been banned during the term of Anwar Sadat — the leader to whom the title refers. The story is set during Sadat’s Infitah, the policy that would incense Arabs to oppose him and one that would lead to his assassination.

Mahfouz had not known then that after Sadat there would be worse intellectual persecutors, and the future would find him stabbed in the neck in an attack that would tragically impair his writing hand.

Eleven years before the incident, this was published. One should not expect grandeur from this, or a sweeping account of Egypt’s history and politics. Here, Mahfouz intimates to us the lives of three common people, “redundant people,” as one narrator would describe.

The three narrators are Muhtashimi Zayed, the grandfather; Elwan, the grandson; and Randa, Elwan’s fiancée: Characters whose daily lives are affected by the Infitah.

The juxtaposition of their lives and the trajectory of their sentiments with the day the leader is killed is an intelligent tool. Because with momentous events such as the assassination, we think little of these lives, their loves, their troubles. The strength of this book is in the intimacy that Mahfouz beckons us to experience. I like how the title cleverly deceives us like a headline by a Western news network of news in the Middle East: We are tricked into thinking that we already know what the story is about, when in fact, we don’t.